Marble stele analysis

Marriage is, after all, Marble stele analysis important way for men to form links with each other within and outside of the polis. Hegeso looks down in an almost meditative way as she admires what art historians believe was once a necklace painted on to the stone.

Pyxis[ edit ] The container Hegeso holds is of a type typically associated with women and weddings as a gift for the bride. Closterman has analyzed the iconography from classical Athenian tombstones within the periboloi plots, and found that these stelae most often do not focus on representing dead individuals, but rather display "the ideal roles of the family in the context of the Marble stele analysis world.

The characters are noble and beautiful, but absorbed without affection for the object at which they direct their gaze presumably a piece of jewelry.

The drapery and veil she wears are quite delicate and draw us in to the sculpture. In other, similar reliefs, the heir is a servant of the past and could be worshipped in a variety of ways, whether with a pathetic procession, a crouching dog, or by a votive bird. Kallimachos was known for his strikingly detailed sculpture, especially in his funerary monuments.

This Pentelic marble stele is renowned as one of the finest stele surviving from the high classical period. Around this time, sculptors once again began creating grave monuments with considerable skill and quality.

Grave Stele of Hegeso

However, these ostentatious representations ended abruptly inwhen Demetrios of Phaleron banned any more elaborate mausolea. During the high classical period, private funerary sculpture became very popular in Athens. The fact that it is missing now only makes one focus more on the empty space and wonder what it actually looked like or may have represented.

While there has been debate over the attribution of this funerary relief, most scholars agree that it was crafted by Kallimachos. Kallimachos also spelled Callimachuswas a prolific sculptor working in Athens and Corinth at the end of the 5th century BC. Though his rosette stele only lists Koroibos, his sons, and grandson up to possibly five generations in the inscription, most label Hegeso as the wife of Koroibos.

These new trends led to classical sculpture, in which a "severe style" was common.

Analysis of Kallimachos’ Grave Stele of Hegeso

Death had a unifying factor with every social class represented equally in burial up until the beginning of the Peloponnesian War in Rather than simply celebrating the individual lives of certain women, the presence of stelae similar to that of Hegeso serve to define the female within a recognized social framework.

Long-sleeved chiton garments were not uncommon for servants in Greek sculpture or vase paintings. Steles were meant to be displayed in periboloi tombs, private family graveyards.

He would have wanted to express a purely domestic scene of Hegeso, a typical Athenian lady, dressing to go out or receive guests not to leave the household permanently in death, as one may want to sentimentally interpret it.

However, the artist was most likely not attempting to draw attention to the piece of jewelry, but rather the act of adornment itself.

The sculpture possesses a solemnity that is quite suitable for its purposes. Furniture[ edit ] Hegeso is seated on a chair that appears almost too slender to be firm, and places her sandalled feet on the delicate footstool in front of her.

This elaborate hairstyle, drawing on a Pheidian model for Aphrodite, [7] shows her superiority to her maidservant, who has a simpler hairstyle. The front wall is far higher than the three rubble walls surrounding the rectangular burial area, which contain the graves and provide space for family gatherings at funerals or other celebrations for the dead.

Hegeso and her servant are surrounded by two pilasters that signify that we are inside a home, enhancing the intimacy of our interaction with the sculpture.

However, Buitron-Oliver [7] notes that the highly idealized figures on the Parthenon frieze gave way to more realistic drapery around BCE, as seen in the Hegeso relief. From the interior of the plot, one could only see the roughly cut backs of the stelae.

Art historians typically refer to this period as the high classical period. The ambiguity in the inscription and depiction could also have been purposeful, so that Hegeso could memorialize not just one woman, but instead represent the qualities of all the unnamed wives of male descendants from the Koroibos stele.

The Hegeso stele was found just outside Athens. In the relief scene unfolding before us, we see Hegeso, the seated woman to which the statue is dedicated, opening a box of jewelry that her servant is presenting to her. During this early classical period, sculptors and painters endowed their works with a feeling of seriousness in order to portray a sense of sophrosyne [7] References and sources[ edit ].

Much of the funerary sculpture produced during the high classical period were called steles, usually marble grave stones with elaborate relief sculptures. Steles were commissioned by wealthy Greek families to honor dead loved ones, and typically depicted a scene that was meant to be set within the home.

Since people on the street could only view the front wall, families often created a facade of careful and elaborate masonry work, also shown in the reliefs of the funerary markers that would face the street in a row above, just behind the front wall.

Jewelry[ edit ] Probably the most striking object in the relief is the item of jewelry that Hegeso appears to be pulling from the pyxis, since both she and her maidservant seem almost transfixed by it. This law gave more importance to the child-bearing role of women since their children would later select the gravestones as well as the importance of marriage and familial relationships, since marrying non-Athenian women was so discouraged.Art History Analysis Paper Words | 7 Pages.

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at cm tall carved by a master. The Grave Stele of Hegeso, most likely sculpted by Callimachus, is renowned as one of the finest Attic grave stelae surviving (mostly intact) today.

Dated from ca. - ca. BCE, [1] it is made entirely of Pentelic marble. May 21,  · The Hegeso stele was found just outside Athens. This Pentelic marble stele is renowned as one of the finest stele surviving from the high classical period. In the relief scene unfolding before us, we see Hegeso, the seated woman to which the statue is dedicated, opening a box of jewelry that her servant is presenting to her.

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By selecting the optimum location, MSC could avoid direct competition which is strongly impact the company. Art History Analysis Paper words 7 pages. Show More This paper is a formal analysis of the Marble grave stele with a family group relief sculpture.

It is a pentelic marble style relief standing at cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca B.C.

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Marble stele analysis
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